Sunday, July 7, 2019

Welcome to my blog! (Sample Document 5)


About Me
I am so glad you are here. My name is Miss Amie (that's what my student's call me) and I am the author of this blog. I live in Southern California where the sun shines in the daytime and the stars twinkle at night. I love everything about reading and writing, including but not limited to: pencils, paper, sticky notes, similes, metaphors, and personification. I teach writing and English to homeschool students as well as tutor students who are in need of reading intervention.
 
About This Blog
When you hear the word global what do you think of? Probably a globe. And right you are. Global refers to the entire world, and the literature featured in this blog highlights literature that was created in one part of the world yet has touched the lives of people worldwide. The term multicultural refers to many cultures. Even though the customs and beliefs of the culture of origin may be reflected in the written work, the overall meaning of the story transcends borders and can be understood on deeper level by all people groups.

Within this framework of global literature, I will be sharing with you several stories which continue to capture readers' minds and hearts today. The 20th century literature sampled here spans the globe from European, Ancient and Contemporary Eastern Asia, Native American, African and African American, Latin American, and Post-Holocaust Jewish Literature. Within these texts are characters who struggle with identity, like Gregor Samsa in Kafka’s “The Metamorphosis.” Gregor quite literally loses his identity when he becomes a lowly bug. Compare this to the humans in Taduesz Borowski’s “This Way for the Gas, Ladies and Gentlemen.” The victims of mass genocide also lose their identity. Everything they own is physically stripped away, but still deeper wounds are the loss of family and dignity, and finally their lives.

Other stories blur national boundaries, crossing cultures within the text. “Wedding at the Cross” by Ngugi Wa Thiong’o incorporates British, American, and German threads into this East African tale. And “Omeros”, Book 1 by Derek Walcott loosely retells the story of Homer’s story of Troy, featuring Achilles and Hector.

Several links are provided throughout my posts to allow you to go further in your quest for knowledge as it relates to global literacy. I have also provided ideas for teachers to use primarily with high school students to make cultural connections in the classroom. These ideas could certainly be used as a springboard for middle school classrooms studying similar themes. Remember to reread the literature selections before reading them in class, as some of them contain mature themes and detailed imagery.

I hope you enjoy travelling through the past through these works and that you realize how important it is to keep multicultural literature alive. Let me leave you with one of my favorites from this semester called “God Has Pity on Kindergarten Children” by Yehuda Amichai.

God has pity on kindergarten children,
He pities school children -- less.
But adults he pities not at all.

He abandons them,
And sometimes they have to crawl on all fours
In the scorching sand
To reach the dressing station,
Streaming with blood.

But perhaps
He will have pity on those who love truly
And take care of them
And shade them
Like a tree over the sleeper on the public bench.

Perhaps even we will spend on them
Our last pennies of kindness
Inherited from mother,

So that their own happiness will protect us
Now and on other days.


Yehuda Amichai


Post Holocaust Jewish Literature (Week 7)


This week’s literature is more somber as presented in the context of post-Holocaust Jewish short stories and poetry. Authors Taduesz Borowski, Paul Celan, Yehuda Amichai, and Clarice Lispector provided narratives around the theme of identity. In the most notable work, Borowski painfully examines a glimpse into the private hell of a concentration camp prisoner turned forced worker in “This Way for the Gas, Ladies and Gentlemen.” Through his eyes and heart, we learn of the physical and mental torture that is imposed on Jews. Borowski himself is a survivor of Auschwitz and Dachau and has a collection of stories to tell. What we learn from this sad story is the first hand account of how millions had their identity stripped away from them and suffered deep humiliation before ultimately losing their lives. The question must be asked, how does a survivor like Borowski regain his own identity and heal?   

            The Holocaust can sometimes be a difficult conversation to have with high schoolers. For many it is the first time they have heard about and seen images of what happened. It is not a part of history to be brushed over, but it also should be handled confidently and with dignity. Teachers should try to make connections between the global event and the individuals who suffered. In order to focus on the theme of identity, students would spend time examining names and faces of those who died in a Holocaust Database. This way they could see the faces of unique individuals. Then as a follow up assignment, they should write an essay about what makes them exceptional individuals.
References
Amichai, Yehuda. “An Arab Shepherd Is Searching for His Goat on Mount Zion.” The Norton

            Anthology of World Literature. Volume F. W.W. Norton & Co., 2012.

Amichai, Yehuda. “God Has Pity on Kindergarten Children.” The Norton Anthology of World

            Literature. Volume F. W.W. Norton & Co., 2012.

Amichai, Yehuda. “Jerusalem.” The Norton Anthology of World Literature. Volume F. W.W.

            Norton & Co., 2012.

Amichai, Yehuda. “Tourists.” The Norton Anthology of World Literature. Volume F. W.W.

            Norton & Co., 2012.

Borowski, Taduesz. “This Way for the Gas, Ladies and Gentlemen.”
            The Norton Anthology of World Literature. Volume F. W.W. Norton & Co., 2012.

Celan, Paul. “Aspen Tree.” The Norton Anthology of World Literature. Volume F. W.W. Norton & Co., 2012.
Celan, Paul. “Deathfugue.” The Norton Anthology of World Literature. Volume F. W.W. Norton & Co., 2012.
Celan, Paul. “Shibboleth.” The Norton Anthology of World Literature. Volume F. W.W. Norton & Co., 2012.
Lispector, Clarice. “The Daydreams of a Drunk Woman,” The Norton Anthology of World
           
            Literature. Volume F. W.W. Norton & Co., 2012.

Latin American Literature: Realism and Magical Realism (Week 6)


This week’s literary focus is on realism in Latin American literature. Many of their writings come in the form of magical realism, and one of the most famous authors is Gabriel Garcia Marquez. According to Kelsey McKinney at vox.com, “Garcia Marquez's One Hundred Years of Solitude was the first celebrated text that used magical realism, even though several great writers, such as Jorge Luis Borges and Alejo Carpentier, had written several novels (short stories in the case of Borges) in the style before him. Garcia Marquez's work became internationally famous, among other reasons, because — unlike many other Latin American writers — he did not write lengthy, multi-volume historical novels. He wrote rapidly paced novels in a simple and approachable style” (2014). His story, “Death Constant Beyond Love” includes a mystical account of a torn scrap of paper transformed into a butterfly which appears to be real. In a more tragic account of realism, Isabel Allende shares the broken lives of Rolf Carle and Azucena. Hosts from Literary Roadhouse Podcast shares their thoughts on the story.
            

Teachers who want to jump in and teach magical realism should read a few short works to their class. One of the most famous and recommended places for a teacher to start is reading aloud to her students Gabriel Garcia Marquez’s story called “A Very Old Man with Enormous Wings.” The title summarizes the main character, and after the students go on the adventure with the old man, they can write their own short stories about people will magical traits. How fun would it be to have the main character be a grandparent or other mature relative? Students would post their stories online for friends and family to read. They could compile all the stories on The Bookpatch website and put the collection together.


References
McKinney, Kelsey. “What's so Magic about Magical Realism?” Vox, Vox, 20 Apr. 2014,             www.vox.com/2014/4/20/5628812/11-questions-youre-too-embarrassed-to-ask-about- magical-realism.
Puchner, Martin. The Norton Anthology of World Literature. W.W. Norton & Co., 2012.